Composition
C.U
Match on Action - editing
Shot reverse shot - camera or editing
180 degree Rule - continuity - camera or editing
Ambient -Dialogue
Diegetic and non-diegetic
Foley
Establishing sound or shot
Setting - location or studio
Pan
Props
Camera:
-shots(c.u, e.c.u, m.s, l.s, e.l.s, w.s, p.o.v, o.t.s)
-angles (high, low, eye level)
-movement (pan, tilt, tracking)
-composition
-
Editing:
-cutting
-shot reverse-shot
-an eyeline match
-graphic match
-match on action
-jump cut
-cross cutting
Sound:
-diegetic and non-diegetic
-synchronous/asynchronous
-sound effects
-sound motif
-sound bridge
-dialogue
-voiceover
-direct address
-soundtrack
Masculinity-
-low angle
-C.U (Can be intimate so feminine as well)
-shot rev. shot (promanace)
-cutting
-eyeline match
-pace
Femininity-
-high angle
-L.S (isolated, loneliness, depends on setting and location. If it's masculine shows the character as independent)
-transitions (fade, dissolve, wipe)
-eyeline match